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|
| Postal Auction 2000 .....now closed.....if there are
any items that have not received a bid then you can always contact me and
make an offer - anything left will be taken to the Farnworth Film Fun Day
in Bolton, Lancashire, England on 16th September 2000 and sold to innocent,
unsuspecting film enthusiasts
Successful bidders will be notified in the next day or so by e-mail or post; 1. Payment (cash or cheques made out to 'Andrew Alden') for the total of their successful bids should be sent to; Andrew Alden, 118-120 Upper Clough Road, Linthwaite, Huddersfield, West Yorks., HD7 5PQ, England 2. Successful bidders will be responsible for collecting items or paying
the postage or carriage, small items will be posted, Amtrak overnight
service (UK) on larger items (up to 10kg) costs about £14.50. I will pack
items as carefully as possible. 4. Cheques should be on a U.K bank, overseas buyers must contact me for details of other payment methods before lots are released. |
|
Lot No.
|
Reserve (£)
|
Final Bid(£)
|
Description
|
|
|
1st September
|
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|
Lenses.....
|
|||
|
1
|
25
|
37.75
|
Tamron SP f2.5 90mm Macro lens with 'c' mount adaptor, hood |
|
2
|
50
|
50.00
|
Angenieux 9.5mm f2.2 Retrofocus 'c'-mount lens type R3, caps |
|
3
|
50
|
87.78
|
Angenieux 10mm f1.8 Retrofocus 'c'-mount lens, cap |
|
4
|
25
|
32.50
|
Angenieux 25mm f1.4Type S41 'c'-mount lens, caps |
|
5
|
50
|
51.55
|
Angenieux f2.2 17.5-70mm Type L4 zoom lens, Arri standard mount, lens caps |
|
6
|
25
|
32.51
|
Angenieux f2.2 17-68mm zoom lens with type 120 reflex finder, to fit Filmo cameras originally, 'c'-mount, caps, hood and body clamp, unusual lens, needs cleaning |
|
7
|
35
|
72.75
|
Som-Berthiot 25-100mm f3.4 Pan-Cinor Zoom, with side reflex finder, polished aluminium with black hood and finder, old but very tidy, 'c'-mount |
|
8
|
35
|
51.35
|
Som-Berthiot 20-60mm f2 Pan-Cinor Zoom, very early lens with coupled non-reflex side finder, polished aluminium with black hood, caps, unusual, collectable, 'c'-mount |
|
9
|
10
|
12.10
|
Bell & Howell/Taylor Hobson Serital 1" f1.9 'c'-mount lens, caps |
|
10
|
10
|
14.51
|
Bell & Howell/Taylor Hobson 1" f1.9 'c'-mount lens, caps (not marked but same as Serital) |
|
11
|
5
|
Bell & Howell Viewfinder lens for turret Filmo camera, 10mm | |
|
12
|
2
|
Bell & Howell Viewfinder lens for turret Filmo camera, 0.5" | |
|
13
|
2
|
Bell & Howell Viewfinder lens for turret Filmo camera, 20mm | |
|
14
|
2
|
Bell & Howell Viewfinder lens for turret Filmo camera, 1" | |
|
15
|
2
|
5.40
|
Som-Berthiot close-up lens, Series VIII - 1m |
|
16
|
2
|
5.40
|
Som-Berthiot close-up lens, Series VIII - 2m |
|
17
|
5
|
8.51
|
Cinepar 1" f2.5 coated 'c'-mount lens, stainless finish 1950s? |
|
18
|
2
|
3.51
|
Acall f1.4 38mm Telephoto, 'd'-mount, caps |
|
19
|
3
|
3.51
|
Yashica Cine-Yashinon f1.4 13mm 'd'-mount lens |
|
20
|
3
|
Yashica Cine-Yashinon f1.4 38mm 'd'-mount lens | |
|
21
|
3
|
5.21
|
Steinheil Cassar f3.5 36mm 'd'-mount lens, aluminium finish |
|
22
|
3
|
5.21
|
Elgeet f2.5 7mm 'd'-mount lens, chrome finish |
|
Bolex Stuff......
|
|||
|
25
|
150
|
H16 RXVS camera body only, round base model, pre-1:1 drive shaft, noisy at low speeds, ok for animation as is, priced to allow for servicing, no other problems | |
|
26
|
150
|
H16 RXVS camera body only, round base model, pre-1:1 drive shaft, noisy at low speeds, ok for animation as is, priced to allow for servicing, mark to the side of the viewfinder image, annoying but does not affect the image on the film, no other problems | |
|
27
|
50
|
121.10
|
Non-Reflex H16,very early pre-war model, serial no.8778, pre- frame counter, Dallmeyer Speed Anastigmat 1" f1.5 and Telephoto 4" f4 lenses, eye-level accesssory finder, tri-focal finder, double sprocket, works well, only apparent faults are backwind shaft and IT lever missing, not bad considering its age though! |
|
28
|
5
|
10.55
|
Backwind Handle (H16 early type, small diameter shaft) |
|
29
|
3
|
Backwind Handle (small 8mm camera type) | |
|
30
|
5
|
Battery case for Z-1000 battery used on H16EBM |
|
|
31
|
5
|
Behind-the-lens Filter set for early non-Rx turret H16 cameras | |
|
32
|
5
|
6.55
|
Clapper lamp saddle with lamp (RX5 etc.) |
|
33
|
3
|
6.06
|
Octameter (with built-in10mm adaptor) |
|
34
|
2
|
4.51
|
Octameter original type |
|
35
|
5
|
20.00
|
Sync pulse generator 50Hz @25fps for H16EBM and ESM motor |
|
36
|
10
|
17.50
|
Voltage regulator unit for MC-17B Motor, lead for MM motor, boxed as new |
|
37
|
5
|
5.10
|
Bolex Original Handbook for H16 with RX supplement |
|
38
|
5
|
5.40
|
Bolex Original Handbook for H16 RX3 |
|
39
|
5
|
8.50
|
Bolex Original Handbook for H16 RX4 |
|
40
|
5
|
Bolex Original Handbook, H16 RX5 Supplement | |
|
41
|
5
|
Bolex Original Handbook for H16 SB/SBM | |
|
42
|
5
|
8.51
|
Kern Yvar 16mm f2.8 AR 'c'-mount lens, aperture ring solid,repair or looks ok for display |
|
43
|
50
|
Kern Macro-Switar Rx 50mm f1.4 , leather case, slight marks on front element but image appears sharp,'c'-mount | |
|
44
|
45
|
Kern Yvar 100mm f3.3, hood, 'c'-mount | |
|
45
|
45
|
Kern Yvar 150mm f3.3, 'c'-mount | |
|
46
|
5
|
47.00
|
Kern Yvar f1.9 13mm 'd'-mount lens plus Hyper-Kern 0.5x wide angle adaptor and viewfinder adaptor, both with Bolex leather cases |
|
47
|
40
|
45.51
|
Bolex Tripod for H16, all-aluminium with pan and tilt head, arm and QR adaptor |
|
48
|
65
|
86.68
|
Bolex Tripod for H16, all-aluminium with pan and tilt head, bowl adaptor, case, arm,QR adaptor |
|
49
|
20
|
26.21
|
Bolex Tripod for H16, early ebony/aluminium with pan and tilt head, old-type QR adaptor |
|
50
|
5
|
11.11
|
Bolex Pistol Grip, for older round base H16 cameras, tatty but otherwise works ok |
|
51
|
5
|
5.51
|
Bolex Pistol Grip, Surefire type for older round base H16 cameras, no cable release |
|
52
|
5
|
7.07
|
Bolex Pistol Grip, Reporter type for older round base H16 cameras |
|
Super 8 - Cameras and Projectors.....
|
|||
|
55
|
10
|
25.21
|
Bauer C2 Super 8 camera, Schneider Variogon f1.8 8-40mm zoom, case, hood, single frame and 12,18 and 24fps, instructions in German, small plate indicating filming speed missing but no detriment |
|
56
|
10
|
Bauer C14XL Super 8 camera, Neovaron f1.7 9-36mm zoom, case, hood, instructions, single frame and 18fps,seems to run ok except one of the power zoom control buttons doesn't work | |
|
57
|
25
|
32.51
|
Canon 514XLS Super 8 camera, f1.4 9-45mm zoom, macro, power zoom, 18 and 24fps, single frame, case, hood, handbook |
|
58
|
25
|
Canon 514XLS Super 8 camera, f1.4 9-45mm zoom, macro, power zoom, 18 and 24fps, single frame, case, hood, handbook, plus Canon boom microphone | |
|
59
|
5
|
Bauer T4 Super 8 silent projector, 7.8v 50w bulb, f1.4 18-30mm Vario-Kiptagon, spool, case | |
|
60
|
35
|
37.50
|
Bolex Sound 715 Super 8 projector, Hi-Fi Nivar 14-30mm f1.3 zoom lens, 600Õ capacity, 12v 100w Halogen lamp, unique tilt lens system (gets rid of keystone effect) 18-24fps, 2 track magnetic recording etc., spool, handbook |
|
61
|
35
|
Eumig S912 Super 8 projector, spec. as for item 60 Bolex 715 (above) | |
|
Tripods and Supports.....
|
|||
|
63
|
10
|
15.51
|
Fleximount universal body brace system, to carry Arri ST or similar weight cameras, modern, very light, old fibre case |
|
64
|
5
|
6.55
|
Rivenden Panalux fluid pan head adaptor |
|
65
|
10
|
Slik Master tripod with pan and tilt head, tatty but still a very sturdy tripod | |
|
66
|
5
|
20.00
|
Universal 'Hydralok' fluid effect pan and tilt head with arm, spirit level, damping level screws on both pan and tilt, a bit tatty but works well |
|
67
|
5
|
6.60
|
Kennett Tubular aluminium tripod, extends to 6', braced, very sturdy, raising centre column, no head but 3/8" fitting at the top |
|
68
|
3
|
Kewmode, sq. section video tripod, pan, tilt, QR, arm broken off otherwise good, sturdy tripod | |
|
69
|
5
|
2 old tripods; one light/medium tripod, wooden upper legs, aluminium at the bottom, pan, tilt , spreader chains; one light duty tripod - JayWay Quickset - wooden legs, ball and socket head, both would suit display of an older camera | |
|
70
|
100
|
120.01
|
Manfrotto Professional heavy duty 116 pan and tilt head and arm, immaculate |
|
71
|
200
|
252.50
|
Manfrotto Professional tripod, heavy duty combination, 161B legs and 116 Mk2 pan and tilt head, spreaders and arm, immaculate, list over £900 |
|
Film Editing bits.....
|
|||
|
72
|
25
|
Rewinds for 35mm, flat bed (1m x 0.5m approx.), large plates, hand cranked, with light box | |
|
73
|
25
|
35.50
|
Zeiss Moviskop 16mm editor head (mains powered) and rewinds |
|
74
|
10
|
Zeiss Moviskop Standard 8mm editor head (mains powered) and rewinds | |
|
75
|
5
|
Acmade 16mm geared long arm rewind, stand, wooden 6 gang film horse, 2000' capacity | |
|
76
|
5
|
12.91
|
Premier 16mm de-luxe Film Joiner with Mk.III automatic film scraper, boxed |
|
77
|
1
|
2.91
|
Hahnel Kollmatic Super 8 motorised film splicer, takes 2 x U11 batteries, boxed |
|
78
|
5
|
6.60
|
5 off Stocko 120m (400') spools for standard or Super 8mm film, new, boxed with library cases |
|
79
|
5
|
5.10
|
5 off Stocko 90m (300') spools for standard or Super 8mm film, new, boxed with library cases |
|
Film Odds and Sods......
|
|||
|
80
|
75
|
130.51
|
Krasnagorsk III 16mm reflex cine-camera outfit, Meteor 17-69mm f1.9 bayonet mount zoom lens, filters, lens supports, case, all the usual supplied stuff, works ok |
|
81
|
5
|
7.51
|
Leningrad 7 exposure meter, leather case, opal for incident measurement, lanyard |
|
82
|
3
|
4.30
|
Weston Master II cine exposure meter, lanyard |
|
83
|
5
|
24.50
|
Beaulieu R16 bits - 2 electric handgrips, cable release, sync adaptor |
|
84
|
10
|
12.55
|
Sony VCR-16C Film Camera attachment, allows transfer from a 16mm (or 8mm) projector with a standard lens via an enclosed mirror unit to a 'c' mount video camera, small, good quality, boxed and instructions |
|
85
|
3
|
4.51
|
Arriflex 25 fps gear set for 35 mm film camera, no further information, 3 items in all. |
|
86
|
5
|
7.55
|
9 off new Thorn A1/209 12v 100w Halogen lamps |
|
87
|
1
|
4.10
|
odd cine lens caps, filters, hoods, exposure calculator etc. 12 items so far but increasing! |
|
88
|
1
|
4.51
|
Eumig accessory, tiny, shoe fitting photoelectric light meter |
|
89
|
1
|
2.52
|
Bell & Howell white screen 4' x 3', tripod floor stand, clean |
|
Still Stuff......
|
|||
|
90
|
75
|
Kodak Carousel SAV 1030 35mm slide projector, serviced 6/4/00, built-in interval timer, AF, 150mm Carousel Projar lens | |
|
91
|
75
|
Kodak Carousel SAV 1030 35mm slide projector, serviced 6/4/00, built-in interval timer, AF, 100mm Carousel Projar lens | |
|
92
|
65
|
Kodak Carousel SAV 1030 35mmslide projector, serviced 6/4/00, knob to built-in interval timer missing (can be operated with a screwdriver), AF inoperative,150mm Kodak Retinar lens | |
|
93
|
95
|
Kodak Carousel SAV 1030 35mmslide projector, serviced 6/4/00, built-in interval timer, AF, Kodak Vario-Retinar 70-210mm zoom lens | |
|
94
|
5
|
Unopened pack of 5 Apollo EHJ 24v 250 Xenon filled bulbs for Carousel projectors | |
|
95
|
5
|
6.20
|
Unopened pack of 5 GE Quartzline EHJ 24v 250 bulbs for Carousel projectors |
|
96
|
2
|
Footswitch for Kodak Carousel, 6-pin DIN plug | |
|
97
|
1
|
2.52
|
3 assorted camera bags 13" x 8" x 7", with straps and divisions, one inblack marked Nikon, one in blue marked Photima, one in green |
|
98
|
3
|
FK underwater housing for Kodak FunSaver 35 Flash and Fuji Panorama and Quicksnap (with or without flash) disposable cameras, tested to 50m (it says on the box!) | |
|
99
|
20
|
Topcon IC-1 35mm SLR camera, Topcor f2 50mm lens, appears all ok, clean, e.r. case | |
|
100
|
5
|
15.50
|
Meopta Axomat II35mm enlarger, 240v 75w lamp, Minolta E Rokkor f4.5 50mm lens, Wetzlar Wilon f4.5 105mm lens, with 78510 filter stage, original fitted box |
|
...........The following cameras are all ex-hire stock,
they work mechanically and appear complete but I have no idea as far as
the accuracy of film metering or shutter speeds............
|
|||
|
101
|
1
|
4 off flash autowind compact 35mm cameras, 2 x Halina AF810, 2 x Miranda FMX | |
|
102
|
5
|
5.51
|
2 off Zenith E 35mm metered SLR cameras, one black Olympic body only, one silver with Industar f3.5mm 50mmlens |
|
103
|
5
|
5.50
|
2 off Practica 35mm SLR cameras, one PLC3 body only, one black EE3(?) with Zeiss Tessar f2.8 50mm lens, no DA lever |
|
104
|
5
|
Yashica TL Electro 35mm SLR camera, Sigma Zoom master f2.8 35-70mm M42 mount zoom | |
|
105
|
5
|
5.50
|
3 off Practica electronic 35mm SLR cameras, one BC1 with Pentacon Prakticar f4 70-210mm zoom (no DA lever), one B200 with Prakticar f2.8 135mm MC lens, one Jenaflex AM-1 body (non-working) with weird large diameter mount at front |
|
106
|
5
|
6.60
|
Fujica ST605 35mm SLR camera with f2.2 55mm Fujinon lens |
|
107
|
5
|
6.60
|
Yashica FX2 35mm SLR camera with f2 50mmYashinon ML lens |
|
108
|
5
|
6.60
|
Chinon CX35mm SLR camera with f3.5 200mm Auto Chinon lens |
|
.....................................................................................................................................
|
|||
|
109
|
5
|
5.50
|
2 off Hanimex Pro 550 tilt hammer-head flash guns in cluding brackets, complete and working |
|
110
|
5
|
3 off tilt hammer-head flash guns, all working, 2 marked Hanimex Pro 550, one marked Chinon 100CB but the same unit, 2 doors and 1 bracket missing | |
|
111
|
5
|
5.60
|
Cobra Twin D550, large double, tilt hammerhead flash gun, with camera bracket |
|
112
|
3
|
2 off flash guns, one Metz Mecablitz 28CT5 with mains charger and instructions, one Cullman MC25, working but has broken foot | |
|
113
|
5
|
6.10
|
3 off tilt head flash guns, one Ring 282 Twin Flash, one Miranda 630CD Multidedicated, one Hanimex 325 AZ, all working |
|
114
|
3
|
5 off small flashguns, one Pentax AF150, one unmarked (Practica possibly), one Sunpack Auto 200, one Practica 1600A, one National PE120m | |
|
115
|
1
|
Hanimex f4.5 200mm, 39mm screw mount lens, grubby but ok | |
|
116
|
1
|
5.01
|
assorted still camera accessories, lens caps, rubber lens hoods, filters, cable release, 12 items so far but increasing! |
|
117
|
5
|
Sekonic Auto leader Model 38 light meter, stainless steel case with unusual flip down multiplier | |
|
118
|
5
|
5.20
|
Weston master Universal exposure meter Model S74/715, second model after the original coffin-shaped one |
|
119
|
1
|
1.85
|
4 off old polished wooden double dark slides,3 for1/2 plate,1 for1/4 plate (?) |
|
120
|
1
|
1.60
|
10 off assorted camera straps including Pentax, Canon and Olympus |
|
121
|
4
|
5.10
|
6 off disposable 35mm cameras with colour (C-41 process) film, marked as Pilot BX-V5/7, dated 08 98 but still producing good images |
|
122
|
5
|
Novelty 110 can camera, marked Pritt, original box; this a modern collectable, there are also versions for Coca Cola, 7up, Brolac etc. Oh well it takes all sorts! | |
|
Lighting.....
|
|||
|
125
|
2
|
3.55
|
Smith-Victor S3 lighting stand, extends to 8', tripod base, clean |
|
126
|
2
|
3.55
|
Smith-Victor S3 lighting stand, extends to 8', tripod base, clean |
|
127
|
2
|
4.51
|
Photax lighting stand, extends to 6', tripod base, cable tidy |
|
128
|
3
|
5.51
|
Photax lighting stand, extends to 8', heavier than 127, tripod base, cable tidy |
|
129
|
2
|
4.51
|
Photax lighting stand boom extension,1m,counterweight, variable angle clamping bracket |
|
130
|
2
|
3.55
|
Photax lighting stand boom extension,1m,counterweight, variable angle clamping bracket |
|
131
|
3
|
Bowens 3 stage lighting stand, extends to 6', tripod base, 3/16" fitting on top | |
|
132
|
40
|
56.51
|
Mole Richardson 2.5 Kw fresnal Studio lamp, 2 good bulbs, guard, restored but requires external lead to finish, nice display piece, big! |
|
133
|
5
|
7.51
|
Berkey lamp head, 240v 500w(?) Quartz bulb, open reflector, focussing, 15mm fit bracket, complete with barndoors, but needs clips to join the two together |
|
134
|
5
|
6.01
|
4 off assorted quartz movie lights all 240v ; Sylvania SG502 1kw Sun gun, boxed, barn doors, instructions, mint; Wotan Video 300S 300w, barndoors: Flectalux GLS 1010,1kw, barndoors; Flectalux 1000SE, 1kw |
|
135
|
5
|
8.51
|
Photax ES lighting head, mains lead, ball and socket, 2 Aluminium reflectors 9" and 11" plus some ES photoflood bulbs ( I know they're around somewhere but I haven't found them yet!) |
|
136
|
5
|
8.51
|
Photax ES lighting head, mains lead, ball and socket, 2 Aluminium reflectors 9" and 11" plus some ES photoflood bulbs |
|
137
|
2
|
2.51
|
Assorted lighting bits - 2 off 3" fresnal lenses, 2 off Cinequip Snoods and a set of barndoors to fit 4"(?) slots |
|
Audio.....
|
|||
|
140
|
5
|
6.60
|
Lustraphone, vintage dynamic microphone, 4" diameter, sold as collectors or decorative item |
|
141
|
5
|
7.20
|
Shure model 570F dynamic Lavalier microphone, 5-pin Din plug, case, no lanyard or clip |
|
142
|
10
|
10.00
|
Shure Unidyne III model 545 microphone, 5-pin Din plug, case |
|
143
|
5
|
Sennheiser MZS 802 telescopic microphone extension, extends 70cm, shock mount | |
|
144
|
1
|
Old fashioned telescopic floor microphone stand, tatty chrome, locking mechanism works ok, heavy base | |
|
145
|
3
|
Telescopic floor microphone stand, tripod base, better than 104., 5/16" fitting at top | |
|
146
|
1
|
1.00
|
Unnamed microphone boom, 1m, variable angle clamping bracket, 3/16" fitting, mike bracket, needs counterweight |
|
147
|
5
|
Accessit (Bandive) RIAA amplifier 2 x stereo in and out, needs 18v to power the unit | |
|
148
|
25
|
36.51
|
Soundex Twin Peak Programme meter model 404, mains powered, unbalanced stereo input and output, 2 black dial meters marked in db, freestanding unit 7" x 5" x 3" |
|
149
|
25
|
26.20
|
Sony ECM-50 Electret Condenser Microphone, very small Lavalier microphone head with lead to separate amplifer (takes Panasonic LR1, 904 or EverReady E90 1.5v battery), clip, windshield, takes standard 3-pin XLR lead, metal case; was a very good microphone but looks a bit horrid due to the disintegration of the foam lining of the case! |
|
150
|
25
|
28.20
|
AKG D190 E classic dynamic microphone,200 ohm, clip, takes standard 3-pin XLR lead |
|
151
|
25
|
29.00
|
AKG D190 ES dynamic microphone,200 ohm, filter switch, takes standard 3-pin XLR lead |
|
152
|
3
|
4.90
|
Box of assorted microphone mounts including 2 Sennheiser type suspension mounts, 2 Sony plug adaptors, 7 items in all |
|
153
|
1
|
2.50
|
Scotch 1/4" audio splicing kit with tape plus another straight and angle cut1/4"splicer |
|
Video.....
|
|||
|
160
|
3
|
Panasonic Video AC Adaptor VW-AS1, charger/discharger |
|
|
161
|
1
|
Hama Camcharger II, adaptor for charging different types of camcorder batteries | |
|
162
|
2
|
2 off camcorders, Panasonic MS2 SVHS and ancient JVC camera/VHSCrecorder, both not working and probably robbed of odd internal bits but ok externally, suit as spares or props? | |
|
163
|
20
|
28.95
|
Honeywell Color Graphic Recorder, heavy and large (16" x 11" x 23"), device for taking in composite or component video or computer output and transferring it to 35mm film negative, high quality internal CRT with externally mounted Konica FT1 motor drive 35mm SLR camera fitted f3.5 50mm Soligor lens; possible to do multiple and progressive RGB exposuresif required. Not used for some years since taken out of service at Central TV, the camera is nice in itself- if you can work out the electronic bits that's a bonus! |
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164
|
5
|
7.15
|
Akai VS-765EK VHS video recorder, front loader, works perfectly but LED display on front of unit does not light up and LCD display on RCV765A handset faint so you have to use screen based menus, handbook |
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Books.....
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|||
|
200
|
1
|
Marlon Brando by Rene Jordan, 1973, Star books | |
|
201
|
1
|
The Steven Spielberg story by Tony Crawley, 1983, Zomba books | |
|
202
|
1
|
1.80
|
2 books; Barry Norman - The Film Greats, 1983, BBC and Tales from the Hollywood Raj, Sheridan Morley, 1983, Coronet |
|
203
|
1
|
The Technique of Television production, Gerald Millerson, 1966, Focal Press | |
|
204
|
2
|
Platoon/Salvador, Oliver Stone Screenplays , 1987, Ebury Press plus Motion Picture soundtrack for the film on cassette | |
|
205
|
1
|
Full Metal Jacket, Oliver Stone Screenplay , 1987, Secker & Warburg | |
|
206
|
1
|
2 biographies; Ava (Gardner) by Charles Higham, 1975, W.H.Allen and Cary Grant, Chuck Ashman and Pamela Trescott, 1987, Star | |
|
207
|
1
|
1.20
|
The Film Handbook, Geoff Andrew (Index of directors), 1989, Longman |
|
208
|
1
|
Popular Television and Film, Open University, BFI Publishing | |
|
209
|
1
|
2 books; Your book of film-making, Christopher Priest, 1974, Faber & Faber and Mars Attacks (Novelisation) 1997, Puffin | |
|
210
|
1
|
2 books; Halliwells Screen Greats, The Academy Awards handbook | |
|
211
|
1
|
1.20
|
Top 100 Movies , John Kobal, 1987, Pavilion |
|
212
|
3
|
James Dean - Shooting Star, illustrated biography, 1989, Bloomsbury | |
|
213
|
3
|
Animation in 12 hard lessons, large format, 'how-to' traditional drawn animation, Bob Heath, 1972 | |
|
214
|
3
|
5.60
|
Edweard Muybridge, Horses and other animals in motion, 45 classic photographic sequences, 1989, Dover Publications |
|
215
|
1
|
History of the Oscars, Daniel & Susan Cohen, 1986, Bison Books | |
|
216
|
1
|
The films of Woody Allen, Neil Sinyard, 1987, Bison Books | |
|
217
|
3
|
The Movies, THe History of American Motion Pictures, large format, 1970, Richard Griffith & Arthur Meyer, Spring Books | |
|
218
|
3
|
The MGM Story, all 1705 films, John Douglas Eames, 1975, Octopus | |
|
219
|
1
|
The Book of the Cinema, forward by Francois Truffaut, large format, 1979, Artists House | |
|
220
|
3
|
The Movie Directors Story, 1920-1985, large format, Joel Finler , Crescent Books | |
|
221
|
2
|
Sean Connery, Film biography, Robert Tanitch, 1992, Chapmans | |
|
222
|
1
|
Movie Mastermind, 1000 questions to addle, addict etc. Ronald Bergen, 1984, McGraw-Hill | |
|
223
|
1
|
The Guiness Book of Movie Facts & Feats, 3rd edn. 1988 | |
|
224
|
1
|
The Guiness Book of Movie Facts & Feats, 4th edn. 1991 | |
|
225
|
1
|
Walt Disney - A Biography, Bob Thomas, 1981, Star | |
|
226
|
3
|
4 screenplays/filmscripts; Hope and Glory, John Boorman; A Taste of Honey, Shelagh Delaney: Rules of the Game, Jean Renoir and Between Time and Timbuktu, Kurt Vonnegut Jr. | |
|
227
|
5
|
Quentin Tarantino - biography 'The man and his movies' plus 3 film screenplays; Natural Born Killers, Reservoir Dogs andPulp Fiction | |
|
228
|
3
|
4 off Sight and Sound books; Fargo, Nixon, Don't Look Now (screenplays) and Vertigo (novel) | |
|
229
|
1
|
2.25
|
2 ex-library books; Don't look at the camera by Harry Watt (maker of Night Mail), In the Front Line by Martyn Pendrick (ITN film cameraman) |
|
230
|
1
|
1.10
|
2 ex-library books; National Heroes 'British Cinema in the Seventies and Eighties' by Alexander Walker, 1985, Harrap and The Men Who Made the Movies - interviews with Capra, Cukor, Hawks, Hitchcock et al. by Richard Schickel, 1977, Elm Tree |
|
231
|
3
|
The Making of the African Queen by Katherine Hepburn, 1987, Arrow | |
|
232
|
3
|
The Making of the Wizard of Oz by Aljean Harmetz, 1984, Limelight | |
|
233
|
2
|
2.51
|
Greed, Erich von Stroheim, notes and screenplay, 1972, Faber and Faber |
|
234
|
1
|
Brian de Palma by Michael Bliss, Filmmakers No.6, 1983, Scarecrow press | |
|
235
|
1
|
David Puttnam, The Story So Far by Andrew Yule, 1988, Sphere | |
|
236
|
1
|
Charles Chaplin, my autobiography, 1966, Penguin | |
|
237
|
2
|
2.51
|
Luchino Visconti by Claretta Tonetti, 1983, Columbus Filmmakers series |
|
238
|
1
|
5.05
|
Projections - A forum for Filmmakers, issue No.1, essays edited by John Boorman and Walter Donohue, 1992, Faber and Faber |
|
239
|
2
|
The Magic Lantern, autobiography by Ingmar Bergman, 1987, Hamish Hamilton | |
|
240
|
2
|
2.10
|
John Huston, An Open Book, autobiography, 1981, Columbus |
|
241
|
3
|
Creative Computer Graphics, large format well illustrated book covering early years of the subject, Annabel Jankel, Rocky Morton,1984, Guild Publishing | |
|
242
|
1
|
1.51
|
Alan Dwan - the last pioneer. Biography of the director by Peter Bogdanovitch, 1971,Studio Vista |
|
243
|
1
|
Claude Chabrol - Biography of the director by Wood & Walker, 1970,Studio Vista | |
|
244
|
1
|
King Vidor - Biography of the director by john Baxter, 1976,Monarch Press | |
|
245
|
2
|
Stars of the Silver Screen - extracts from The Movie, well illustrated large format, much handier than the original part-work, Bloomsbury | |
|
246
|
3
|
The Great British Films by Jerry Vermilye - from The private Life of Henry VIII (1933) to The Go-between (1971), 1978, Citadel | |
|
247
|
3
|
3.10
|
Movies of the Silent Years, edited by Ann Lloyd, 1984, Orbis |
|
248
|
2
|
Caught in the Act, Sex and Eroticism in the Movies, David Shipman, 1985, Elm Tree Books | |
|
249
|
3
|
3.51
|
The Elephant Mann The Book of the Film, background and stills of the film, Joy Kuhn, 1981, BCA |
|
250
|
3
|
The Films of Ingrid Bergman by Lawrence J. Quirk, 1970, Citadel | |
|
251
|
3
|
The Films of Bette Davis by Gene Ringgold, 1979, Citadel | |
|
252
|
3
|
3.51
|
The Fifty Worst Movies of all Time by Harry Medved, 1978, A&R |
|
253
|
3
|
Make It Again, Sam - A Survey of Movie Remake by Michael B. Druxman, 1975, Barnes | |
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Sample Bidding Form Postal Auction Bid Form - August 2000 Please return to; Andrew Alden, 118-120 Upper Clough Road, Linthwaite, Huddersfield, West Yorks., HD7 5PQ, England Lot No. ......................................................Your bid (£)........................................... Description............................................................................................................ Your Name.................................................. Telephone No......................................... Your E-mail Address................................................................................................. Your Address......................................................................................................... ..........................................................................................................................
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