· The EDC Annual Festival
This one-day event, hosted by different Early Dance groups around the country, provides the opportunity to meet and dance with friends, to show your latest work and to see that of others. The Festival itself is always on a Saturday, in the autumn, and there are often associated activities on the Friday evening or the Sunday morning. These have included lectures and visits to local museums, country houses or costume collections.
· The Early Dance Annual Lecture
This lecture, given in London, is open to all - and free.
The Annual Lecture is usually held on the third Friday in February. An eminent speaker is invited to talk on a topic relevant to Early Dance. The aim is to promote Early Dance to a wider audience and to demonstrate that it is a serious field of study.
The lecture is followed by an opportunity for informal talk.
The text of the most recent Lecture
· The EDC Biennial Conference
This is a one-day event often held on the Saturday following the Early Dance Lecture. A number of speakers address a topic (a theme or a specific period) relevant to the study and appreciation of Early Dance. The programme usually includes some practical demonstration of dancing.
The Proceedings are published (see Publications).
· One-off events organised by the EDC
Workshops, study days and additional lectures are also arranged as opportunity offers. For the most part, however, there are now enough events of this kind organised by local groups and individual teachers to make national initiatives superfluous.
Future events of all kinds are notified in the Diary of Early Dance Events.
Events organised by the EDC will be found at Forthcoming EDC events.
5th - 13th July 2008
Big Dance Week
Historical Street Dance
Free Classes for All at
Big Dance !
Classes for Professional Performers
Big Dance Week: LONDON
Family Days with Nonsuch History and Dance
Big Dance Week: NATIONWIDE
2008 Summer Schools
For Programme of Events,
click here
Friday
- Sunday, 17th - 19th October, 2008
25th Silver Jubilee Early Dance Annual Festival
Venue - Ashville
College
Green
Lane, Harrogate,
North Yorkshire, HG2 9JP
Friday, 17th October 7.45 p.m.
-
in
the Ashville College’s Memorial Hall
A Trip to Harrogate,
1798-1820.
This lecture-demonstration will present
Tunes, Songs and Dances from a 1798 manuscript
by Joshua Jackson, North Yorkshire corn-miller and musician.
Saturday, 18th October,
in the Auditorium of Ashville College
1.15 p.m. Early Dance Circle AGM
2.00 to
5.45 p.m. - The Festival
After a
dinner of Yorkshire fare, the evening’s dancing will take a Regency theme,
the music provided by the Spa Bar Tatters band.
Regency costume would be appreciated.
Sunday, 19th October
Sunday morning’s Guided Walk
will include a visit to the Valley Gardens and the
Royal Pump Room Museum.
Betty’s Café Tea Rooms, 1919, and the Pump Rooms
are situated close by.
Accommodation details and further information on local
activities are available on 0845 3 893223
or
www.enjoyharrogate.com
For an 25th EDC Annual Festival
Ticket Reservation
Form, click
here.
For an 25th EDC Annual Festival Group
Booking Form, click
here.
1984 29 September LONDON, The Camden Centre
1985 15 September LONDON, Porchester Hall, Bayswater
1986 13 September LONDON, Porchester Hall, Bayswater
1987 31 October LONDON, Porchester Hall, Bayswater
1988 15 October LONDON, Porchester Hall, Bayswater
1989 14 October NELSON, Silverman Hall
1990 13 October STRATFORD-UPON-AVON, Town Hall
1991 5 October LONDON, All Saints Arts Centre, Barnet
1992 10 October WORCESTER, The King’s School
1993 30 October BROMLEY, The Ravensbourne School
1994 1 October OXFORD, Gosford Hill School, Kidlington
1995 14 October LONDON, Ealing Town Hall
1996 12 October CAMBRIDGE, Long Road Sixth Form College
1997 18 October WATFORD, Queen’s School, Bushey
1998 17 October ROCHDALE, Town Hall
1999 9 October PLYMOUTH, College of St Mark & St John
2000 14 October FARNHAM , Frensham Heights
2001 13 October EDINBURGH, The Edinburgh Academy
2002 19 October LUDLOW, The Assembly Rooms
2003 11 October BATH, Kingswood School
2004 17 October ROCHDALE , Town Hall
2005 9 October NORWICH, Assembly House, Norfolk
2006 21 October CANTERBURY, St. Edmund’s School
2007 13 October
STRATFORD-UPON-AVON, King Edward VI
School
1988 Belinda Quirey
‘Bel Salto’
The Place, St Pancras, London
1989
Molly Kenny
‘Claims to a Dance Inheritance’
Byron Theatre, Old Cavendish Street, London
1990
Peter Brinson
‘The Nobility
of Dance’
Central Halls, Westminster, London
1991
Peggy Dixon
‘Early Dance in Perspective’
Royal Academy of Dancing, London
1992
Mary Collins
‘Early Dance in Education’
St Bride’s Institute, Fleet Street, London
1993 ---------------
1994
Joan
Rimmer
‘On the Coranto’
St Bride’s Institute, Fleet Street, London
1995
Roger Savage
‘Purcell and Theatrical Dance’
St Bride’s Institute, Fleet Street, London
1996
Margaret
McGowan
St
Bride’s Institute, Fleet Street, London
1997
Stanley Glasser
St Bride’s Institute, Fleet Street, London
1998
Jeremy Barlow
‘The Minuet Remembered’
St Bride’s Institute, Fleet Street, London
1999
Peter
Holman
‘When is a Dance not a Dance?’
St Bride’s Institute, Fleet Street, London
2000
Jack
Edwards
‘Staging 17th- and 18th-century Baroque
opera’
St Bride’s Institute, Fleet Street, London
2001 Geraldine
Stephenson ‘Swirling Skirts Fill the Screen’
St Bride’s Institute, Fleet Street,
London
2002
Barry
Grantham
‘The Dancer as Actor: lessons
from the Commedia dell’Arte’
St
Bride’s Institute, Fleet Street, London
2003
David
Wilson
‘But how do you know how they danced so long ago?’
St
Bride’s Institute, Fleet Street, London
2004
Ellis Rogers
‘The Image in the Mirror - social dance as the
reflection of its society.’
St
Bride’s Institute, Fleet Street, London
2005 Barbara
Segal
‘Heroes
and Harlequins: Dance & Pantomime on the English Stage
in the early 18th
century.’
St
Bride’s Institute, Fleet Street, London
2006 Anne
Daye
‘The
Queen's Revels: Henrietta Maria and the Stuart masque’
St
Bride’s Institute, Fleet Street, London
2007 Dr.
Anne Bloomfield
‘Agent of the Enlightenment: The
significance of the Dancing Master
in
creating
a civilised society in the 18th
century.’
St
Bride’s Institute, Fleet Street, London
2008 Ian Chipperfield -
Staymaker:
‘A Laboured Hoop to Ornament the
Fair’
comparing and contrasting the 16th C. Farthingale, the 18th C. hoop
and the 19th C. Crinoline,
their affect on deportment and movement
St
Bride’s Institute, Fleet Street, London
Concert
10th November 1990
‘Step Stately: a Measure in Time’
The Commonwealth Institute, Kensington, London
An Early Dance Show with dancers in period dress, music on period instruments and words from period texts.
A programme of 40 dances was performed by a troupe of 70 dancers, drawn from 13 dance groups, with 21 musicians and readings by 2 speakers.
Youth Dance Competition for Young People 2005-2006
February 2006
5th April 1997
‘Belinda Quirey and Historical Dance’
Birkbeck College, London
Phrosso Pfister ‘Belinda Quirey, MBE: glorious eccentric’
Anne Daye ‘Historical Dance in Higher Education’
Velma Pursehouse ‘The Belinda Quirey Memorial Fund’
Ann Hutchinson Guest ‘Belinda Quirey: an appreciation’
Diana Cruickshank ‘ “We’ve got a carriage!” ’
Peggy Dixon ‘Historical Dance – past, present and future’
Brian Trowell ‘Some memories of Belinda Quirey’
For the proceedings, see Publications
27th February 1999
‘Education and Early Dance’
Royal Society of Arts, London
John Harland ‘Effects and effectiveness of the teaching of Dance in schools’
Mary Collins ‘ “The Art that All Other Arts Do Approve” ’
Judy Smith ‘Dance teaching packs: guidelines for producers’
Anne Bloomfield ‘The dancing children of Clifton Hall’
June McKay ‘Blind Dance’
Nicola Gaines ‘Early Dance in the preliminary training of children in Classical ballet’
Diana Scrivener ‘Setting the stage for Early Dance’
Catherine Bowness ‘From goals and scrums to mediaeval drums: conversion in a non-dancing society’
For the proceedings, see Publications
23rd February 2002
‘The Restoration of Charles II: public order, theatre and dance’
Bankside House, London
Roy Sherwood ‘Cromwell’s Merry England’
John Miller ‘Back to normal? Government and society in Restoration Norwich’
Anne Daye ‘Theatre dance in the private and public domains of Stuart and Commonwealth London, 1625-85’
Jeremy Barlow ‘ “Mockmusick” and survival of antimasque traditions in the Restoration theatre’
Moira Goff ‘Shadwell, Saint-André and the “curious dancing” in Psyche’
For the proceedings, see Publications
21st February, 2004
The Great Divide?: A Conference to Explore the impact of the French Revolution on Dance, Costume and Culture
St. Bride Institute, London
|
Clarissa Campbell Orr |
The French Revolution as a cultural event |
|
Sarah Nixon Gasyna |
Looking like Death: dress and allegory at the Bals à Victime |
|
Ellis Rogers |
Changes in the ballroom repertoire initiated by the French Revolution |
|
Elspeth Reed |
Dancing with Jane Austen |
|
Frances Tucker |
Styles of dress in France and England from the French Revolution to the Regency |
There was also a demonstration by the Jane Austen Dancers
For the proceedings, see Publications
25th February, 2006
Masks, masques and masquerades: a living tradition
St. Bride Institute, London
|
Yana Zarifi |
Greek satyr dances, ancient and modem |
|
Karl Toepfer |
Masks in the ancient Roman pantomime |
|
Daniel Tércio |
Moreschi dances in the history of Portugal |
|
Anne Daye |
Masquing vizards |
|
Barbara Sparti |
The mask in the dance etchings of G. M. Metelli (1634-1718) |
|
Barbara Segal |
Masquerade balls in 18th-century England |
|
Margaret Coldiron |
Masked performance in Bali and Japan |
|
Frances Tucker |
Methods for making masks |
For the proceedings, see Publications
23rd February, 2008
Dancing Master or Hop Merchant? The role of the dance teacher through the ages.
St. Bride Institute, London
|
Françoise Carter |
Changing attitudes to dance through the ages |
|
William Tuck |
Dancing masters in 15th C. Burgundy |
|
Anne Daye |
Dance and education in the 17th C. - a report on work in progress |
|
Sydney Anglo |
Fencing
Masters, Dancing Masters, and Drill Masters. |
|
Madeleine Inglehearn |
Dancing Masters: Professionals or Businessmen? |
|
Jennifer Thorp |
Scholars, apprentices and dance training, 1700-1750 |
|
Moira Goff |
The Adroit and Elegant Monsieur Nivelon |
|
Grainne McArdle |
Dancing Masters in 18th C. Dublin |
|
Sheila Dickie |
Dance teaching in London from the 1890s - 1920s |
|
Jeremy Barlow |
"J'ay deffault de la dance". |
For the proceedings, see Publications