LLANTARNAM GRANGE ARTS CENTRE WITH SUPPORT OF WELSH ARTS COUNCIL.
My Thoughts of the years now in the distant past when for the first time I took up brushes and paint.
With a friend Mike Novell. Mike also worked with me as my craftsman mate.
We were at the Royal Albert in town, taking the waters of a few pints of bass.
We had finished our early six am till two PM work shift in giant Steel Works of LLanwern. Hot Mill Department.
An hour or two later we were standing outside the Royal Albert after being refreshed and much the worse from after effects of the potent bass.
My thoughts were drifting and I Wondered what I could do with the rest of my life.
I was forty nine years old and getting a bit old for the active hobby of sub aqua diving.
My thoughts were about of always having that desire to paint.
I possessed a few tubes of paint.
Which had been purchased by my brother Ken.
I was clearing up after My Father had passed away, on Sunday 23 November 1973.
They had been discarded by my brother Ken at my fathers house at Maesglas Avenue.
My brother Ken. Although not a painter. Had attempted to paint. Ken years later suffered a stroke and was a patient at The Cheshire home at Caerleon.
When at the Cheshire home he once again started to paint a little, and was successful at winning an award for his painting.
Lady Wilson presented him with the award for disabled people at the Westminster Abbey.
Surely there lay some lurking hidden talent that if it could have been encouraged to flourish and bloom earlier. May be we would have seen some expression of real value for posterity.
I myself decided to make use of the tubes of paint.
But never the less my inspiration to try my hand at the art of painting. I painted a few abortions at the first attempts and went on to improve with time.
I had earlier when in service with the British Army.
Painted the signs on the vehicles and when working in the Garrison Theatre Painted murals on the walls.
On leaving the Army in 1949 by discharge by purchase for sixty pounds.
Worked rough painting of Railway bridges and Railway stations.
Perhaps after seeing my work you may think it a pity I did not stay rough Painting.
Anyway to supplement those paint items.
Aided With the Dutch courage of the Bass in my mind.
I went into an art shop and bought a few brushes and some more tubes of paint.
Knowing nothing about art or colour.
And not having a very good education to aid myself.
My Circumstance being on my own head I was eager to start work. I retired from school at the age of Thirteen.
And my conventional year out I spent Working on a farm on Tredegar estate of the then Lord of Tredegar.
And so later on in life with no formal art training.
I had no other choice but try to teach myself to paint.
And decided to copy twenty or so great paintings.
On writing to the keeper of art at Newport Museum and art Gallery.
Rodger Cuksey,on his advice.
I Joined the Newport Art Society.
Attending one evening session of criticism of members work.
The Critic was the late Trevor Hoskins. Artist and scene painter at the Dolman Theatre Newport
I had taken along the two of my pastiches.
One was the Haywain by John Constable and the Capture of Portobello by G. Chambers.
Large paintings on canvas.
Trevor admired the work. In kind nice way told me if I could attempt to paint work like this to do my own work. And not copy others work.
Pondering and learning from his advice.
I struggled with problems.
Read many books on the History of art. By Gombritch and Art and Illusion. Art School by Colin Saxton. Art school training methods.
Also on colour by the painter and teacher Paul Klee.
I taught myself the rudiments of perspective.
It was much harder on My own to learn and the learning process is much slower, if not mind boggling.
I tried not to be influenced by the aesthetic and chocolate box or selling drive of some artists.
Neither did I want my quest for primitive style of my own to be lost by the learning process.
I was always battling in mind against the way to paint.
The styles of the old masters the detail and blending Glazes and brushed out work, or modern painting.
I decided it would be from the mind not the end of the brush.
I believe, man is like a pebble in a mountain stream,
We brush against each other on our journey to the sea, and we round of each others corners and mould just you and me--learning all the time.---
In not concerning too much about my techniqueI know these paintings good or bad would not have been achieved had I not been concerned, and also heeded those who tried to help me. I am indebted to the very very Rev Alan Jenkins who gave me the first opportunity to exhibit my work.
And also the one obese lady.
That was serving tea from that memorable first one artist exhibition at the Flower festival at the Vicarage LLanarth.
And whose remarks about her husband whom were a builder, and he would not lay bricks like those in one of paintings,and she did not like any of Um!.
And to crown it all a cat done its business on the only one I did later sell.The light was not very good in the room for painting display. Also those who wished to view the paintings could not get near for tables and tea drinkers. And I found that I did not like any of them either.
And after sneaking them out and in the process of packing them away after the exhibition.
When another of the lady Church helpers remarked. Oh! they don't look so bad in the light.
But alas it was only a back drop for a charitable occasion.Determined to paint and express all the ideas and feelings to paint what I want.
I try to depict working people and not the drossed up images of life..
It is for you to give the finale verdict and enjoyment if any from my work. I have tried my best I cannot do any more than that.
VICTOR MORGAN 1996....
Exhibitions.............
1979 2 June ---24 June --- Staged one artist exhibition at Caldicot Castle Tower Gallery.
Between 1977 and 1992 I have exhibited selected work with other artists From the Monmouthshire art society at Newport Museum and art Gallery.
1983 my Paddle Steamer painting was selected for the cover of local book publication: Newport: Town On the Usk. The same work later being sold to a Paris collector.
1983 Painting on cover, Town on Usk. Also Exhibited at the Sherman Theatre foyer Cardiff.1986 One artist exhibition at LLANTARNAM Grange arts Centre with Welsh Arts Council support. sculpture and paintings.
Rejection came in 1984--- my work rejected at Royal West of England Royal Academy and also 1988 National Eisteddfod.
1977---1988 Exhibited at Jeffrey's Hall Raglan with combined artist.
1985----- Combined artist exhibition at Sophia Gardens.
1982----- combined Five artist exhibition at Tredegar House, and also submitted other paintings at the same time in the flower show.
1988------Oxford Central Library. Magical Art Exhibition. combined Twelve artist from over Great Britain.
1992-----Ebbw Vale Garden Festival.
Royal National Eisteddfod.Aberystwyth.
Royal Welsh Agricultural Show.And painting exhibited at the pavilion S/4/C Cardiff thereafter for six months.
1993------ Selected Saint David's Hall 10th Anniversary open exhibition Cardiff. ----------- Although I am not a good or prolific Painter. Many of my Paintings are in private collections. Britain--Paris- America. None in Public collections.
2001 painted several paintings animals.
"Tin Bath Night". oil on canvas 20"x30"
Painting in book. . Welsh Internationalist Planet.
issue Planet 104. 1994.
Painting Crowley "Last Card". acrylic on canvas 30"x20 1994 Illustration in book.Morus Revue, Solstitium Miemis, Czechoslovak.
Painting of Pleasure Steamer "Britannia". Oil on canvas.24"x36". Illustrated cover of Local book of Newport by Kath Nash "Newport Town on the Usk".
Many artistic people have encouraged me collecting my work along with many working men and a woman..
Though I fear some Art Centre Establishment seems to favour not the Hairy backed boilermaker steel worker jumped up come artist.
An encouragement to paint is that Dr Ivor Davies Art historian and painter also collected my work..
Also Atan in Paris a notable collection of Atan Poulev Suresnes Paris FranceAlso Roy Powell for his interest help spur me on to paint.
One critic once remarked is more than replaced by some imagination and a vocabulary of subject matter.
Which I remember from an exhibition of Edward Hopper.If I may be bold enough to try to quote the words of Edward Hopper.
What a painter once was he always will be. His subject matter remains the same
Time and fashion alters him little at all.
In my words I bundle along in the same old way----Victor Morgan.
1993
Further Thoughts to this that I feel I have wasted some of my time over the last five plus years .
Mainly caught up with the fashionable craze("do it your self") Working on my home. Bricklaying. Name It I've tried it. Or did it. Anything else I dreamt about it. Or F***! up so no one else can do it
I have my studio to paint in also a work place for working on my dam infernal Computer.
My sons have given me a lot of help with a book or two for me to increase my knowledge.
Also the welcomed first early Computer and Printer gift, that started my interest in the computer.
Once more I look to the future, one must move on.
Why do we think that we have all the time in world and behave as if we alone are immortal. Victor Morgan 1997.
When around us the many friends drop out from life.
The year of this entry is now 1999-11-13.
My progress over the past years has been in a doldrums or quandary of not knowing which way to go.
Six of my images of paintings on the Axis Leeds Metropolitan University Web Site. Hosting the new Internet outlet to expose one's art work.
I have taught myself to use the computer and writing up text of history of my paintings spent a time at transferring my work from slides to computer disks.
Scanning and touching up old Photographs from my service time in India. Composed painting of this period on the North Frontier India.1999.
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I have learnt to Compose with html code for my web sites with the aid of book on HTML coding.
Painted my cat Kitty. Also Paintings of faithful dog Ben.
Offers of Exhibition of the last opportunity to exhibit with Chris Wild in the Florida venue I had to Miss.
Finance and other pressures.
Along with the galloping old age and thoughts of is it all worth it. Playing its part.
The loss of my dear dog Bengy and deep Sorrow. Making its mark and played its part in subduing my drive to create more work.
Offers. Without selection to print some of my work on tea towels and maybe dishrag sums up my level of what I can understand George Gross must have felt.
This New York 2000 may be a pinnacle or a throw of the dice for my try again to gain that enthusiasm of the past years. I have purchased more Canvas.
Updated 19th July 2000 informed of my work on exhibition in Manhattan 2000.
Many artists are selected.
with my limited talent and quantity of work.
I feel happy to be in among the flotsam. And for you to be reading my C.V. of my own style.
2002 update Internet and my web sites. Time engaged on computer work composing. Leaving less time Painting. Although I believe this is the future way forward, to expose artists work. It will enable people to sit click mouse and stare. And even phone a picture.Or beam down a rubber doll or a live one without headache. One take's one's choice it's yours!. Or will be if your lucky.
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